Measure for Measure
Material type: TextPublication details: London: Penguin Books, 1969Description: 189 pagesISBN: 9780140707151 ; 0140707158DDC classification: 822.33 Summary: Since the rediscovery of Elizabethan stage conditions early this century, admiration for Measure for Measure has steadily risen. It is now a favorite with the critics and has attracted widely different styles of performance. At one extreme the play is seen as a religious allegory, at the other it has been interpreted as a comedy protesting against power and privilege. Brian Gibbons focuses on the unique tragi-comic experience of watching the play, the intensity and excitement offered by its dramatic rhythm, the reversals and surprises that shock the audience even to the end. The introduction describes the play's critical reception and stage history and how these have varied according to prevailing social, moral and religious issues, which were highly sensitive whenItem type | Current library | Collection | Call number | Status | Date due | Barcode | Item holds |
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Lending Books | Main Library Stacks | Reference | 822.33 SHA (Browse shelf(Opens below)) | Available | 004237 |
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822.33 SHA King Richard II | 822.33 SHA Macbeth | 822.33 SHA The Merchant of Venice | 822.33 SHA Measure for Measure | 822.33 SHA The tragedy of Macbeth. | 822.33 SHA William Shakespeare's Othello / | 822.33 VER GCE'O' Level Twelfth Night : Study Notes & Model Answers |
Index
Since the rediscovery of Elizabethan stage conditions early this century, admiration for Measure for Measure has steadily risen. It is now a favorite with the critics and has attracted widely different styles of performance. At one extreme the play is seen as a religious allegory, at the other it has been interpreted as a comedy protesting against power and privilege. Brian Gibbons focuses on the unique tragi-comic experience of watching the play, the intensity and excitement offered by its dramatic rhythm, the reversals and surprises that shock the audience even to the end. The introduction describes the play's critical reception and stage history and how these have varied according to prevailing social, moral and religious issues, which were highly sensitive when
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