The story of be : a verb's-eye view of the English language
Material type:
ArticlePublication details: Oxford, United Kingdom : Oxford University Press, [2017]Description: xii, 191 pages : illustrationsISBN: 9780198791096; 0198791097Subject(s): Be (The English word) | English language -- Verb | English language -- SyntaxDDC classification: 425.6 Summary: It's the most simple, unassuming, innocent-looking verb: 'to be'. Yet it is jam-packed with more different meanings, forms, and uses than any other English word. As he reveals be's multiple incarnations, David Crystal takes us to the heart of our flexible and changing language. He tells the intriguing story in 26 chapters, each linked to a particular usage. We meet circumstantial 'be' ('how are you?'), numerical 'be' ('two and two is four'), quotative 'be' ('so I was like, "wow"'), and ludic 'be' ('oh no he isn't!'), and a whole swarm of other meanings. Bringing the ideas to life are a host of examples from sources as varied as 'Beowulf', Jane Austen, pantomime, 'Hamlet' (of course), and 'Star Wars', with cartoons from Ed McLachlan and Punch peppered throughout. Full of fascinating nuggets of information, it is a book to delight any lover of words and language.
| Item type | Current library | Collection | Call number | Status | Date due | Barcode | Item holds |
|---|---|---|---|---|---|---|---|
Lending Books
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Main Library Stacks | Reference | 425.6 CRY (Browse shelf(Opens below)) | Available | 016115 |
Includes indexes.
It's the most simple, unassuming, innocent-looking verb: 'to be'. Yet it is jam-packed with more different meanings, forms, and uses than any other English word. As he reveals be's multiple incarnations, David Crystal takes us to the heart of our flexible and changing language. He tells the intriguing story in 26 chapters, each linked to a particular usage. We meet circumstantial 'be' ('how are you?'), numerical 'be' ('two and two is four'), quotative 'be' ('so I was like, "wow"'), and ludic 'be' ('oh no he isn't!'), and a whole swarm of other meanings. Bringing the ideas to life are a host of examples from sources as varied as 'Beowulf', Jane Austen, pantomime, 'Hamlet' (of course), and 'Star Wars', with cartoons from Ed McLachlan and Punch peppered throughout. Full of fascinating nuggets of information, it is a book to delight any lover of words and language.
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